妮可·阿丽·帕克
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The world's oldest new cop will soon be back for more adventures with the LAPD. ABC has announced that its hit show The Rookie has been renewed for an eighth season, coming off a Season 7 in which the show continues to gain popularity.
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罗伯特·柯克曼,罗伯特·瓦利,杰夫·艾伦,保罗·弗明格,科瑞·埃文斯,杰伊·贝克,杰·哈姆,文顿·赫克,威廉·鲁兹卡
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亚马逊将打造一部超级英雄动画剧集《无敌少侠》(Invincible),基于罗伯特·柯克曼(《行尸走肉》)和Cory Walker的同名漫画,共8集,每集一小时,Simon Racioppa(《少年泰坦出击》)担任运作人。 讲述Mark Grayson是个普通青少年,除了一点——他的老爸是这个星球上最强大的超级英雄。在他十七岁生日后不久,Mark开始发展自己的超能力,并接受父亲的执导。他拥有和父亲一样超强的力量、速度、飞翔能力,刀枪不入,老化缓慢,自愈能力强。是一部充满悬疑、动作、感情,但却建立在爱情、友谊和人性的辛酸感人时刻之上的剧集。
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菲利普·拉肖
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因为种种原因经营不善的借口公司倒闭了,在公司倒闭后,格雷格的生活一直很平静。他按部就班的过着正常人的生活,与女友感情也十分稳定。但这样的日子随着格雷格决定向女友弗洛求婚而改变了。因为格雷格不得不把女友介绍给他奸诈的父亲和前演员母亲。因为担心自己的父母会搅黄自己的姻缘,别无选择,格雷格开始实施一个大胆的计划。他重新经营了自己的借口公司并招募了演员来扮演自己的父母企图骗过女友。起初事情很顺利,女友也认为格雷格的家庭十分妥帖,然而随着接触时间越来越长,假的父母终究还是露出了不少马脚,这中间发生了一系列啼笑皆非的事情。最终,真相败露,格雷格将自己的担心告知女友,用真心打动了女友重回于好,也鼓起勇气带女友见了自己的父母,成就了姻缘。
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汤姆·维里卡
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由 Shondaland 和杰斯·布朗内尔打造的《布里杰顿家族》第四季回归,带来充满童话色彩的全新故事。尽管家族女家长维奥莱特·布里杰顿夫人(鲁丝·吉梅尔饰)一再劝说,自由不羁的次子本尼迪克特·布里杰顿(卢克·汤普森饰)拒绝安定下来。然而,在维奥莱特举办的化装舞会上,本尼迪克特被一位神秘的银装淑女深深吸引。在妹妹埃洛伊斯(克劳迪亚·杰西饰)不情愿的帮助下,本尼迪克特开始在社交圈中挖掘这位年轻女士的真实身份。然而,他的心上人并不在上流社会,她是一位聪明机智的女仆,名为索菲·白(贺贻林饰),效力于令人敬畏的女主人阿拉明塔·具(梁佩诗饰)。 命运让本尼迪克特和索菲再次相遇,本尼迪克特在对这位迷人女仆的现实爱慕和对银装淑女的幻想之间挣扎,然而他并未意识到她们其实是同一个人。本尼迪克特无法将这两位女性视为同一人,这是否会让他与索菲之间那种不可否认的火花化为泡影..
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詹姆斯·卡梅隆
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1912年4月10日,号称 “世界工业史上的奇迹”的豪华客轮泰坦尼克号开始了自己的处女航,从英国的南安普顿出发驶往美国纽约。富家少女罗丝(凯特•温丝莱特)与母亲及未婚夫卡尔坐上了头等舱;另一边,放荡不羁的少年画家杰克(莱昂纳多·迪卡普里奥)也在码头的一场赌博中赢得了下等舱的船票。 罗丝厌倦了上流社会虚伪的生活,不愿嫁给卡尔,打算投海自尽,被杰克救起。很快,美丽活泼的罗丝与英俊开朗的杰克相爱,杰克带罗丝参加下等舱的舞会、为她画像,二人的感情逐渐升温。 1912年4月14日,星期天晚上,一个风平浪静的夜晚。泰坦尼克号撞上了冰山,“永不沉没的”泰坦尼克号面临沉船的命运,罗丝和杰克刚萌芽的爱情也将经历生死的考验。
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史蒂夫·麦奎因
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《黑豹 Black Panther》的Letitia Wright及《星球大战 Star Wars》新三部曲演员John Boyega加盟BBC剧《细斧 Small Axe》,这部剧已获Amazon购下美国点播权。 这部6集剧会讲述5个不同的故事,背景设置在60-80年代的伦敦西印度社区。剧集标题来自牙买加谚语「If you are the big tree, we are the small axe.」,意指即使是微弱的异议声,仍然可以挑战强权一方。 其余演员包括Malachi Kirby﹑Shaun Parkes﹑Rochenda Sandall﹑Alex Jennings 及Jack Lowden。
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拉雷姆·雷迪
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Spring 1989. High up in the Indian Himalayas, where even the birds fly low to avoid getting lost in the clouds, the soft-spoken Dev owns a sprawling estate of several orchards and lives in a colonial-style house with his family. He spends a lot of his time building human-sized wings which he puts on to take a quick morning flight over his land. One day, while walking through the estate, he discovers a single burnt apple tree. A few days later, more trees are burnt. Dev and his manager monitor the workers on the plantations and this leads to unrest. A group of nomads comes under suspicion and a corrupt police officer gets involved, while loyal men camp out in the orchards to keep a vigilant watch at night. Despite all these measures, a massive fire breaks out a week later and engulfs an entire mountainside of trees. In his search for the culprit, Dev resorts to armed violence. The slow burning of the orchards forces him to face the truth about himself and his family.
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Cole Davidson,Matthew Luke Tucci,约翰尼·哈洛兰,亚历克斯·巴伯,保罗·坎达里安,艾米·苏·福尔,马修·卢克·图齐,杰夫马克,Gina Barber
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After an eccentric billionaire creates a drug called INOC which stops the aging process effectively eliminating death itself, the future of a world where death no longer exists is seen. Through a seemingly harmless children's toy, the story of the fate of mankind is told while also revealing an elusive truth to its unknowing spectator.
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迈克尔·珊农
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Michael Shannon directs an adaptation of Brett Neveu’s 2002 play about a mother coping with the fallout after her son murders three of his high school classmates. Janice (Judy Greer) is struggling; she moves through life as if in a haze, unable to let go of her anger and frustration. While her husband (Alexander Skarsgård) has found refuge at a new church, Janice finds it hard to seek solace in her faith despite her pastor’s pleas to heal her wounds by meeting with the mothers of her son’s victims. As Janice ponders what that meeting could achieve for her and her community, Eric LaRue asks audiences to witness the frayed emotional ripples that violent acts can engender. Anchored by Greer’s deeply arresting performance, Shannon’s directorial debut grapples head-on with frustratingly timely conversations about who deserves our compassion and grace. Standout supporting turns by Tracy Letts and Alison Pill, who capture a subtly unnerving vision of spiritual fanaticism, stress the film's interest in complicating facile views of atonement and forgiveness in light of such tragedies.






























